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Downey Delivers as Cerebral Superhero in “Marvel”-ous Adaptation of
Classic Comic Book Series
Iron Man
Film Review by Kam Williams
Created by Stan Lee in April of 1963, Iron Man was
first introduced in Marvel Comics’ “Tales of Suspense” (issue
#39). By the legendary animator’s own admission, his crime-fighting
superhero’s alter ego, wealthy industrialist/ inventor Tony Stark,
was partially inspired by eccentric millionaire playboy Howard Hughes.
The character proved popular enough to warrant spin-offs not only into
his own comic book series but into a TV cartoon as well. Now, with Iron
Man, the movie, the product line benefits from a further extension into
the realm of cinema.
This live-action adventure features Robert Downey, Jr. in the title
role, with the oft-troubled star exhibiting an impressive range in an
endearing performance guaranteed to resuscitate a career once on life
support. For Downey manages to humanize Iron Man to a degree rarely, if
at all, previously witnessed in such adaptations of macho superheroes to
the big screen. Considerable credit in this regard must go to unheralded
director Jon Favreau whose kiddie sci-fi, Zathura, was likewise
sophisticated enough to engage the imaginations of children and adults.
Iron Man unfolds very much like the first installment in a pre-planned
franchise, taking its own sweet time to acquaint us with the
protagonist’s background rather than rush headlong into elaborate fight
sequences. Along the way, a few subtle hints are also dropped about what
might be in store in IM2 and beyond.
It is established at the outset that Tony Stark, the CEO of Stark
Industries, is a filthy rich, womanizing genius. For he is conspicuously
absent from the festivities at Caesar’s Palace in Las Vegas where he was
supposed to be receiving an award for his company’s service to the
Military-Industrial Complex as the country’s leading weapons
manufacturer.
But the AWOL bon vivant was more interested in impressing and seducing
an attractive reporter (Leslie Bibb) at his sprawling, oceanfront Malibu
estate. Fortunately, his faithful, frustrated womanservant and secret
admirer, Pepper Potts (Gwyneth Paltrow), is always around to get her
boss’ nose back to the grindstone.
The plot thickens soon after he lands in Afghanistan to demonstrate his
latest invention, the Jericho Missile, for the benefit of the U.S.
military brass. En route, the Humvee in which he’s riding is hit by a
roadside bomb, and he ends up in a cave controlled by terrorists. Tony
can’t help but notice that his captors are already somehow wielding
weaponry produced by his company. And worse, they now want him to put
his brain to work on their behalf to build the next generation missile.
 What
the insurgents don’t know is that Stark’s more worried about the
life-threatening shrapnel permanently imbedded in his chest. So, instead
of working for them, he secretly uses the next few months to build
himself a suit of armor containing a mammoth electromagnet to prevent
any metal fragments from reaching his heart. Eventually, he uses this
outfit to morph into Iron Man, escape, and return to the States where he
makes the shocking announcement that Stark Industries will be shutting
down its munitions manufacturing division.
This decision doesn’t sit with his possibly double-dealing, right
hand-man, Obadiah Stane (Jeff Bridges), and it also strains his longtime
liaison with Lieutenant Jim Rhodes (Terrence Howard) from the
Department of Defense. But Stark remains resolute and determined to
learn exactly how his guns landed in the hands of the enemy, even if
that means he must reluctantly don that Iron Man suit one more time to
kill in the name of peace.
A ‘Marvel’-ously cerebral superhero with a functioning conscience.
Rated PG-13 for intense sci-fi violence and brief suggestive content.
Running time: 126 minutes
Studio: Paramount Pictures
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Lloyd
Kam Williams