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How the Garcia Girls Spent Their Summer

Film Review by Kam Williams

Dona (Lucy Gallardo) is the elderly matriarch presiding over the Genoveva family which is also comprised of her daughter, Lolita (Elizabeth Pena), and her teenage granddaughter, Blanca (America Ferrara). It is the start of a sweltering summer in their sun-bleached, Arizona border town where more than the weather is set to get steamy.

For each of these lonely ladies is experiencing the pangs of erotic awakenings in her own unique way. For Dona, her nostalgia-driven desire is triggered by memories of her first love a half-century or so earlier. This inspires her to buy a junked jalopy similar to the one driven by her high school sweetheart.

Trouble is, Dona isn’t a mechanic and never even learned to drive. Lucky for her, Don Pedro (Jorge Cevera, Jr.) happens to be handy and has a lot of time on his hands. And the retired gentleman is hot-to-trot, too, so it isn’t long before sparks start to fly between these frisky senior citizens.

Meanwhile, middle-aged Lolita, who works the counter at the local butcher shop, has two guys interested in her. One is a secret admirer, an unassuming co-worker (Rick Najera) she barely notices and just considers a friend. She finds herself more attracted to a suave but sleazy married customer (Steve Bauer) who has shamelessly been putting the moves on her. But between being a devout Catholic and living in a tiny community where gossip spreads fast means there’s little chance she’d dare embark on an adulterous affair.

Not to be outdone by her suddenly aroused elders, Blanca sets about seducing Sal (Leo Minaya), a shy boy her own age. He’s obviously interested, but too inexperienced to know how to approach a girl. However, once she takes the bull by the horns, so to speak, and shows him the ropes, their puppy love goes from innocent to intimate so fast she has to buy an early pregnancy test.

These three relationships share the limelight equally in How the Garcia Girls Spent Their Summer, a deliberately-paced, intergenerational dramedy. Via a winning mix of understated elegance and unexpected intimacy, the film reels you in and holds your attention for the duration.

The movie marks the sensational, feature-length directorial debut of Georgina Riedel, who exhibits an admirable confidence behind the camera in serving up such a daring depiction of lusty libertines whose most carnal of urges stand quite independent of their search for a soulmate. Perhaps the picture’s most frustrating moment arrives when the guilt-ridden heroines, like good Catholic girls, confess their every indiscretion to the parish priest (Ricky Lopez).  

That concession to patriarchy notwithstanding, this female empowerment flick nonetheless affirms the notion of satisfaction as a woman’s prerogative. Bless me father for I have fornicated, and loved it! 

Excellent (4 stars)
Rated R for nudity, sexuality and profanity.
In English and Spanish with subtitles.
Running time: 128 minutes
Studio: Maya Releasing

 

Lloyd Kam Williams

Lloyd Kam Williams is a syndicated film and book critic who writes for 100+ publications around the U.S. and Canada. He is a member of the African-American Film Critics Association, the New York Film Critics Online, the NAACP Image Awards Nominating Committee, and Rotten Tomatoes. In addition to a BA in Black Studies from Cornell, he has an MA in English from Brown, an MBA from The Wharton School, and a JD from Boston University. Kam lives in Princeton, NJ with his wife and son.

IMDiversity.com is committed to presenting diverse points of view. However, the viewpoint expressed in this article is the opinion of the author and is not necessarily the viewpoint of the owners or employees at IMD.

 

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